In my September 30 essay, Muses About Muses , I touched on my new Muse – a woman who stole my heart and rekindled in me some of the confidence and zest for life that I'd lost while I was incarcerated. Prison existence destroys the ego, takes one's pride and confidence away, and leaves one with nothing but fear and self-loathing. The correctional system is designed to break one down to little more than a plasmatic puddle of subservient humility and self-pity. Perhaps this is what some public offenders need in order to re-enter society successfully, but in my own case the descent into useless oblivion was devastating to my sense of well-being and self-assurance. I trusted no one – not even myself – and I was angry and bitter toward any kind of authority or guidance. Shortly after my release from prison an employment counselor assigned to my case interviewed me briefly, looked over my impressive resume, and laughed derisively. "All I see here is all about you, you, you,"...

During nearly three years in the Nevada state prison, I completed six handwritten manuscript drafts of novels, and had begun a seventh prior to my release on parole in June, 2007. While in prison I was not allowed to draft the books on electronic media, which I am now in the process of doing. They are large manuscripts (more than 250 thousand words each) and still require several iterations of editing to condense and organize to publishable construct, and some research remains that could not be done in prison. Six of the novels comprise an anthology that I call “ Sophy’s Way: Parallel Worlds of the Moon ” in reference and reverence to the lost goddess Sophia, the Goddess of Wisdom, whose essence and presence saved my life and, yes, my very soul from certain death during my prison time. The underlying theme of the novels concerns man’s inherent cruel and duplicitous nature, but primarily the books deal with the lost intimate relationship between immanent sexuality and transcendent divin...

The following discourse, from my novel manuscript Moon Shadows: the Revelation , in edit, is a precocious girl's heartfelt address to an eclectic group of goddesses, humans, and aliens ensconced on a Wyoming ranch, who are engaged in an effort to overthrow and reconstruct the United States government and its constitution and laws. The little rebel is trying to express her discomfort with the prejudices, the oppression, the malicious overreaching and power mongering of patriarchal authority prevalent in the existing governance. Her statement is a simple essay on human values of good and evil, right and wrong, justice and injustice, and whether we humans know who we are and where we're going. The group is at a party – an outdoor dinner and dance with a western theme featuring live music from the Alabama band, which has just taken a break, and the raucous, somewhat inebriated, crowd has fervently implored her to speak to them, having been highly amused by her previous nationally t...

When I was in high school – my junior year, I believe -- I had a spirited young French English teacher. I can't recall her name these days, but she was thin and graceful – pretty and provocative. In class I would daydream about dating her, or of making love to her, and I remember wishing I was older or she was younger. She liked me; I knew that. And she knew I liked her, too. While I daydreamed I would often compose little poems in my notebook or on the back of a theme book. I never thought about what I wrote, barely aware that I was writing at all – kind of like doodling, I suppose. In my mind, she probably thought I was taking notes, though I should have known better. There was a girl who sat behind me every day, who was an excellent student of English and literature, and though I don't remember her name either, I liked her quite a bit, too. Whenever the French English teacher would say something poignant, the girl would lightly touch the back of my neck in a sensual way, the...